Oliver Sacks, Casting Light on the Interconnectedness of Life


Oliver Sacks in 2001.

Andrea Mohin/The New York Times

It’s no coincidence that so many of the qualities that made Oliver Sacks such a brilliant writer are the same qualities that made him an ideal doctor: keen powers of observation and a devotion to detail, deep reservoirs of sympathy, and an intuitive understanding of the fathomless mysteries of the human brain and the intricate connections between the body and the mind.

Dr. Sacks, who died on Sunday at 82, was a polymath and an ardent humanist, and whether he was writing about his patients, or his love of chemistry or the power of music, he leapfrogged among disciplines, shedding light on the strange and wonderful interconnectedness of life — the connections between science and art, physiology and psychology, the beauty and economy of the natural world and the magic of the human imagination.

In his writings, as he once said of his mentor, the great Soviet neuropsychologist and author A. R. Luria, “science became poetry.”

In books like “Awakenings,” “The Man Who Mistook His Wife for a Hat” and “An Anthropologist on Mars,” Dr. Sacks — a longtime practicing doctor and a professor of neurology at the New York University School of Medicine — gave us case studies of patients whose stories were so odd, so anomalous, so resonant that they read like tales by Borges or Calvino. A man, with acute amnesia, who loses three decades of his life and lives wholly in the immediate present, unable to remember anything for more than a minute or two. Idiot savant twins, who can’t deal with the most mundane tasks of daily life but can perform astonishing numerical tricks, like memorizing 300-digit numbers or rattling off 20-digit primes. A blind poet who suffers from — or is gifted with — extraordinarily complex hallucinations: a milkman in an azure cart with a golden horse; small flocks of birds wearing shoes that metamorphose into men and women in medieval clothes.

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Dr. Oliver Sacks, Explorer of the Brain

Dr. Oliver Sacks was a neurologist and best-selling author who explored the brain’s strangest pathways. His work touched Hollywood, theater, even opera, and his legacy lasts in the stories he told.

By POH SI TENG on Publish Date August 30, 2015.

Photo by Sara Krulwich/The New York Times.

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Dr. Sacks depicted such people not as scientific curiosities but as individuals who become as real to us as characters by Chekhov (another doctor who wrote with uncommon empathy and insight). He was concerned with the impact that his patients’ neurological disorders had on their day-to-day routines, their relationships and their inner lives. His case studies became literary narratives as dramatic, richly detailed and compelling as those by Freud and Luria — stories that underscored not the marginality of his patients’ experiences, but their part in the shared human endeavor and the flux and contingencies of life.

Those case studies captured the emotional and metaphysical, as well as physiological, dimensions of his patients’ conditions. While they tracked the costs and isolation these individuals often endured, they also emphasized people’s resilience — their ability to adapt to their “deficits,” enabling them to hold onto a sense of identity and agency. Some even find that their conditions spur them to startling creative achievement.

In fact, Dr. Sacks wrote in “An Anthropologist on Mars,” illnesses and disorders “can play a paradoxical role in bringing out latent powers, developments, evolutions, forms of life that might never be seen or even be imaginable in their absence.” A young woman with a low I.Q. learns to sing arias in more than 30 languages, and a Canadian physician with Tourette’s syndrome learns to perform long, complicated surgical procedures without a single tic or twitch. Some scholars believe, Dr. Sacks once wrote, that Dostoyevsky and van Gogh may have had temporal lobe epilepsy, that Bartok and Wittgenstein may have been autistic, and that Mozart and Samuel Johnson could have had Tourette’s syndrome.

In his later books, Dr. Sacks increasingly turned to chronicling his own life — from his deep love of chemistry as a boy in “Uncle Tungsten,” to his experiments with L.S.D. and amphetamines in “Hallucinations,” to his coming of age as a young man and as a doctor in “On the Move.” It was a life as eclectic and adventurous as his intellectual pursuits, taking him from medical school in England to a stint as a forest firefighter in British Columbia to medical residencies and fellowship work in San Francisco and Los Angeles. He held a weight-lifting record in California, and on weekends, sometimes drove hundreds of miles on his motorcycle, from California to Las Vegas or Death Valley or the Grand Canyon.

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Op-Eds by Oliver Sacks in The Times

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